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The Good Shepherd, c. 300–350, at the Catacombs of Domitilla, Rome The Good Shepherd (Greek: ποιμὴν ὁ καλός, poimḗn ho kalós) is an image used in the pericope of John 10:1–21, in which Jesus Christ is depicted as the Good Shepherd who lays down his life for his sheep.
It is a variant of the "Christ in Triumph" subject of the resurrected Christ, [2] and shows a standing Christ with his feet on animals, often holding a cross-staff which may have a spear-head at the bottom of its shaft, or a staff or spear with a cross-motif on a pennon. Some art historians argue that the subject exists in an even rarer pacific ...
Tarrant began her career by designing Christmas Cards, but it was her book illustration that brought her success and fame. [7] Among the publishers she produced cards for were the Medici Society, [note 1] Hale, Cushman and Flint of Boston, Massachusetts, C. W. Faulkner, and Humphrey Milford. [9]
Images of Jesus tend to show ethnic characteristics similar to those of the culture in which the image has been created. Beliefs that certain images are historically authentic, or have acquired an authoritative status from Church tradition, remain powerful among some of the faithful, in Eastern Orthodoxy, Lutheranism, Anglicanism, and Roman ...
With the fourteenth century, animals become less frequent in iconography. The fifteenth and sixteenth centuries use them again, but copied more closely from life, usually of small size, and often without any intention of symbolism. One finds now animals such as rats, snakes, rabbits, snails, and lizards.
Jesus our brother, strong and good, Was humbly born in a stable rude, And the friendly beasts around Him stood, Jesus our brother, strong and good. "I," said the donkey, shaggy and brown, "I carried His mother up hill and down I carried her safely to Bethlehem town; I," said the donkey, shaggy and brown. "I," said the cow all white and red,
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Depictions of Jesus have often shown him in terms of animal-related imagery such as that of the 'good shepherd', an example being this 16th-century work by Philippe de Champagne. The relationship between Christianity and animal rights is complex, with different Christian communities coming to different conclusions about the status of animals.
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