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Genre (French for 'kind, sort') [1] is any style or form of communication in any mode (written, spoken, digital, artistic, etc.) with socially agreed-upon conventions developed over time. [2] In popular usage, it normally describes a category of literature , music , or other forms of art or entertainment, based on some set of stylistic criteria ...
Alternative fashion or alt fashion is fashion that stands apart from mainstream, commercial fashion. It includes both styles which do not conform to the mainstream fashion of their time and the styles of specific subcultures (such as emo, goth, hip hop and punk). [1]
4X refers to a genre of strategy video game with four primary goals: eXplore, eXpand, eXploit, and eXterminate. A 4X game can be turn-based or real-time . Perhaps the best known example of this genre is Sid Meier 's Civilization series. 4X games often cover a very large period of time, giving the player the control of an entire civilization or ...
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The music video of "Style" features silhouettes—seen here is a scene of Swift overlaid on a shot of a similarly shaped cave and her love interest—which critics compared to the opening sequence of True Detective. Kyle Newman directed the music video for "Style", which was shot in Los Angeles and completed within four days in summer 2014.
Shibuya-kei (Japanese: 渋谷系, lit. "Shibuya style") is a microgenre [7] of pop music [1] or a general aesthetic [8] that flourished in Japan in the mid-to-late 1990s. [3] The music genre is distinguished by a "cut-and-paste" approach that was inspired by the kitsch, fusion, and artifice from certain music styles of the past. [9]
Where to watch: Mubi, video on demand. 8. 'A Different Man' Edward (Sebastian Stan, left), Ingrid (Renate Reinsve) and Oswald (Adam Pearson) get caught in a love triangle in "A Different Man."
Genres are not fixed; they change and evolve over time, and some genres may largely disappear (for example, the melodrama). [4] Not only does genre refer to a type of film or its category, a key role is also played by the expectations of an audience about a film, as well as institutional discourses that create generic structures. [4]