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The Shashvat Art Gallery Jammu is a cultural institution that has been showcasing the heritage of Jammu and Kashmir, India, since its establishment in 1930. [ 1 ] [ 2 ] It maintains a collection of old artifacts ranging from the 300 years to modern works of art.
The rest of its districts, including Srinagar, Ganderbal, and Budgam are best known for their cultural heritage which includes the handicraft industry in Jammu and Kashmir, India. Embroidery is an integral part of many Kashmiri handicrafts, shawls, carpets and Kashmiri ladies pheran are adorned with intricate embroideries or flower styles made ...
Dogra Art Museum, Jammu is a government museum and the biggest in Jammu region, one of the three divisions in the north Indian union territory of Jammu and Kashmir. The museum is unit of Directorate of Archives , Archaeology and Museums , under the Ministry of Tourism and Culture , Jammu and Kashmir Government.
The Tribals have a rich tradition of folk-songs and folk-tales. These treasure houses of folk wisdom are declining and are feared to vanish with the passage of time. Hence, there was an emergent need to collect, document and preserve the folk treasure of songs and tales.
A founder member of reputed NGOs of Jammu and Kashmir including Preserve Art Treasures and Heritage, Friends of Ladakh and Indian Society for Buddhist Studies, he is working towards creating awareness about the preservation and conservation of artistic heritage amongst the members of the civil society as well as initiating a meaningful dialogue, interaction with various governmental agencies ...
Vedic art and culture grew in Kashmir, and some early Vedic hymns were composed there. [ 2 ] The Bharata Natya Shastra , which is notable as an ancient encyclopedic treatise on the arts which has influenced dance, music and literary traditions in Indian culture, originated in Kashmir.
Papier-mâché art work on Madin Sahib Mosque. The papier-mâché technique of using paper pulp for making decorative objects was first brought to Kashmir in the 14th century by Mir Sayyid Ali Hamadani, a Sufi mystic, who arrived to Kashmir along with his followers, many of whom were craftsmen.
The pair produced and submitted a memorandum to Pratap Singh of Jammu and Kashmir, the ruler of Sringar and Amar's older brother. [3] The Majarah accepted the proposal and agreed to allow for the establishment of a museum; this new institution would house artifacts from Jammu, Kashmir, Baltistan and Gilgit. [3]
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