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The Jack S. Blanton Museum of Art (often referred to as the Blanton or the BMA) at the University of Texas at Austin is one of the largest university art museums in the U.S. with 189,340 square feet devoted to temporary exhibitions, permanent collection galleries, storage, administrative offices, classrooms, a print study room, an auditorium, shop, and cafe.
In January 2015, Kelly gave to the Blanton Museum the design concept for a 2,715 square feet (252.2 m 2) stone building that he subsequently named Austin. Kelly said that the design of the building was inspired by Romanesque and Byzantine art he studied while in Paris on the G.I. Bill. Following Kelly's gift, the Blanton launched a $15 million ...
Luckily for Austin, the Blanton could rely on its own collection — as well as on works promised to the University of Texas museum — for the small current exhibition "Long Live Surrealism! 1924 ...
(Blanton Museum of Art. 200 E. Martin Luther King Jr. Blvd., blantonmuseum.org) Artist Manik Raj Nakra is silhouetted in front of his new mural on the side of The Contemporary in downtown Austin.
Nicéphore Niépce's View from the Window at Le Gras, c. 1826, on permanent display in Harry Ransom Center's main lobby. Two prominent items in the Ransom Center's collections are a Gutenberg Bible, [18] [19] one of only 21 complete copies known to exist, and Nicéphore Niépce's c. 1826 View from the Window at Le Gras, the first successful permanent photograph from nature.
Herbert and Dorothy Vogel. Herbert Vogel (August 16, 1922 – July 22, 2012) and Dorothy Vogel (born 1935), once described as "proletarian art collectors," [1] worked as civil servants in New York City for more than a half-century while amassing what has been called one of the most important post-1960s art collections in the United States, [2] mostly of minimalist and conceptual art. [3]
Ray Williams is the current Director of Education and Academic Affairs at the Blanton Museum of Art (20012-current). [1] He previously held the position of director of education at the Harvard Art Museums, Rhode Island School of Design's Museum of Art, Peabody Essex Museum, the Freer Gallery of Art and Arthur M. Sackler Gallery, and the Ackland Art Museum.
The paintings were acquired by The Blanton Museum of Art at the University of Texas, Austin [42] and were on view beginning July 17, 2018. [43] The Blanton Museum produced extensive programming to support the exhibition. [44] The opening of the exhibition was covered in the New York Times, [45] The Guardian, [46] and Artnet News. [47]
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