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Bal-musette is a style of French instrumental music and dance that first became popular in Paris in the 1880s. Although it began with bagpipes as the main instrument, this instrument was eventually replaced by the accordion , on which a variety of waltzes, polkas, and other dance styles were played.
Bal-musette, a style of French instrumental music and dance that first became popular in the 1880s; Tablature#Musette tablature, a form of musical notation; Accordion reed ranks and switches#Register switches, an accordion with at least two sets of middle reeds that are slightly detuned from each other
Marcel Azzola (10 July 1927 – 21 January 2019) was a French accordionist. He performed with Stan Getz and Jacques Brel, among others. The famous line "Chauffe, Marcel!" ("Heat up, Marcel") in Brel's song "Vesoul" refers to Azzola, who played the accordion during the recording. [1]
Despite efforts by accordion performers and organizations to present the accordion as a serious instrument to the classical music world, the much-coveted breakthrough into the mainstream of serious musical circles did not take place until after leading accordionists more or less abandoned the stradella-bass accordion (an instrument limited to ...
Émile Vacher (May 7, 1883 - April 8, 1969) was a French accordionist associated with, and often deemed the creator of, the bal-musette genre. [ 1 ] Discography 78s
A 3/4 accordion has three reeds on the treble sides and four on the bass side. Reed ranks are classified by either organ 'foot-length' stops or instrument names. Visually, they each have a fixed dot in a three-level icon as displayed in the photo on the right and tables below.
The musette de cour or baroque musette is a musical instrument of the bagpipe family. Visually, the musette is characterised by the short, cylindrical shuttle-drone and the two chalumeaux. Both the chanters and the drones have a cylindrical bore and use a double reed, giving a quiet tone similar to the oboe. The instrument is blown by a bellows.
Although polka plays a major role in TDA's sound and the band has dabbled in various accordion-centric styles including tango, Cajun and New Orleans music, Tejano and conjunto, and French bal-musette, TDA is foremost rooted in rock and pop music, with frontman Rogers listing Elvis Costello, Joe Jackson and Randy Newman among his major ...
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