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On the review aggregator website Rotten Tomatoes, 98% of 209 critics' reviews are positive, with an average rating of 7.8/10. The website's consensus reads: "With intelligence as sharp as its humor, BlackBerry takes a terrifically entertaining look at the rise and fall of a generation-defining gadget."
Rotten Tomatoes logo. On the review aggregator website Rotten Tomatoes, a film has a rating of 100% if each professional review recorded by the website is assessed as positive rather than negative. The percentage is based on the film's reviews aggregated by the website and assessed as positive or negative, and when all aggregated reviews are ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 4 January 2025. American review aggregator for film and television Rotten Tomatoes Screenshot Rotten Tomatoes's homepage as of April 1, 2021 Type of site Film and television review aggregator and user community Country of origin United States Owner Warner Bros. Discovery (25%) Comcast (75%) Founder(s ...
Below are the 10 best and 10 worst movies of Moore's career according to critics on Rotten Tomatoes. Note: This list does not include documentaries. Here are the worst movies of Demi Moore's career.
Business Insider rounded up the movies that got a 100% score on Rotten Tomatoes in 2024 with 25 reviews or more. Most of the films are fictional dramas centered on family dynamics and working ...
Her 2011 movie "50/50" is the highest-rated by critics, with 2009's "Up in the Air" in second place. ... Rotten Tomatoes score: 93%. In "50/50," Joseph Gordon Levitt and Seth Rogen co-star as best ...
For a hot minute, it looked like BlackBerry might control the smartphone market. They got there first, figuring out how to use the existing data network to put email in users’ hands. Sure, it ...
Armond Allen White (born 1953) [1] [2] is an American film and music critic who writes for National Review and Out.He was previously the editor of CityArts (2011–2014), the lead film critic for the alternative weekly New York Press (1997–2011), and the arts editor and critic for The City Sun (1984–1996).