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Celtic coinage was minted by the Celts from the late 4th century BC to the mid 1st century AD. Celtic coins were influenced by trade with and the supply of mercenaries to the Greeks, and initially copied Greek designs, especially Macedonian coins from the time of Philip II of Macedon and his son, Alexander the Great.
His staters again featured the palm branch among other images. [46] His bronze and silver coins developed over time from Celtic-influenced designs to those influenced by a very wide range of Mediterranean coinage. [46] Cunobelin's coins may have been the last issued in the area prior to the Roman invasion in AD 43. [46]
There have been three sets of coins in Ireland since independence. In all three, the coin showed a Celtic harp on the obverse.The pre-decimal coins of the Irish punt had realistic animals on the reverse; the decimal coins retained some of these but featured ornamental birds on the lower denominations; and the euro coins used the common design of the euro currencies.
Rainbow cup (German: Regenbogenschüsselchen, Czech: duhovka from duha - rainbow) is a term for Celtic gold and silver coins found in areas once dominated by the La Tène culture (c. 5th century BCE - 1st century BCE in central Europe). They are curved like a bowl and marked with various symbols and patterns.
Coin of King "Sihtric" of Dublin (r. 989–1036– ) Hiberno-Norse coins were first produced in Dublin in about 997 under the authority of King Sitric Silkbeard.The first coins were local copies of the issues of Aethelred II of England, and as the Anglo-Saxon coinage of the period changed its design every six years, the coinage of Sitric followed this pattern.
Biatec was the name of a person, presumably a king, who appeared on the Celtic coins minted by the Boii in Bratislava (the capital of Slovakia) in the 1st century BC. The word Biatec (or Biatex) is also used as the name of those coins. In the literature, they are also sometimes referred to as "hexadrachms of the Bratislava type". [1]
For some, the line between modern art and trash is vanishingly thin. Among them was the elevator technician at a Dutch museum who mistakenly threw away part of an artwork that had been made to ...
Although sceattas present many problems of organization, attribution, and dating, they also carry a variety of designs bespeaking extensive Celtic, classical, and Germanic influences. These designs include human figures, animals, birds, crosses, plants, and monsters, all of which have been elucidated by Anna Gannon. [ 4 ]
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