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Pages in category "Marshall amplifiers" The following 7 pages are in this category, out of 7 total. This list may not reflect recent changes. ...
In 1967, Marshall released a 50-watt version of the 100-watt Superlead known as the 1987 Model. In 1969, the plexiglass panel was replaced by a brushed metal front panel. Other early customers included Pete Townshend and John Entwistle of The Who, whose search for extra volume led Marshall to design the classic 100-watt valve amplifier. [12]
The Flexi-50 amplifier head was released in 2003, and made its debut at that year's Music Live event in the UK. It is a 50-watt, class-AB amplifier, meant to “create an idealized (Marshall) ‘Plexi’ tone". [20] As a “subtle homage” to the Plexi, the Flexi's faceplate is gold Plexiglas. [20]
This model evolved into the Hiwatt CP103 (not to be confused with the standard Hiwatt DR103- a completely different tone circuit). In 1973, a DR103W model was created (a CP103 tone circuit with different panel layout). [11] [12] Since the early 1990s, Pete Townshend has relied on Fender Vibroking amps with 212 extension cabinets. At times a ...
The human ear perceives a 5-watt amplifier as half as loud as a 50-watt amplifier (a tenfold increase in power), and a half-watt amplifier is a quarter as loud as a 50-watt amp. Doubling the output power of an amplifier results in a just noticeable increase in volume, so a 100-watt amplifier is only just noticeably louder than a 50-watt amplifier.
An instrument amplifier is used with musical instruments such as an electric guitar, an electric bass, electric organ, electric piano, synthesizers and drum machine to convert the signal from the pickup (with guitars and other string instruments and some keyboards) or other sound source (e.g, a synthesizer's signal) into an electronic signal ...
A diagram showing a wiring modification for a Les Paul or a similar electric guitar with two humbuckers. Wiring schemes using four push-pull pots for additional pickup combinations were made popular by Led Zeppelin guitarist Jimmy Page and later produced as a signature model by Gibson. The modification shown in this diagram is an evolution of ...
The cones of these drivers typically range in size from 6.5 to 15 inches (170 to 380 mm) with 10 inches (250 mm) and 12 inches (300 mm) models being the most popular for electric guitar and electric bass combo amps and speaker cabinets.
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