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Sargam (from SA-RE-GA-MA), a technique for the teaching of sight-singing, is the Hindustani or North Indian equivalent to the western solfege. Sargam is practiced against a drone and the emphasis is not on the scale but on the intervals, thus it may be considered just intonation. The same notes are also used in South Indian Carnatic music.
Yaman's Jati is a Sampurna raga (ideally, yaman is audav sampoorna raag because of the structure- N,RGmDNR'S' NDPmGRS) and in some cases Shadav; the ascending Aaroha scale and the descending style of the avroha includes all seven notes in the octave (When it is audav, the Aroha goes like N,RGmDNS', where the fifth note is omitted; Pa but the Avaroha is the same complete octave).
The Kalyan Thaat consists of an important group of early afternoon, late evening, early night, and early morning ragas. Characterised by the Teevr Madhyam (M') in the stead of the standard Shuddh Madhyam of the Bilawal Thaat, the name of this Thaat literally means good luck/ fortune (कल्याण).
Hamsadhvani's notes when shifted using Graha bhedam, yields another pentatonic rāgam, Nagasvaravali. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam. For more details and illustration of this concept refer Graha bhedam on Hamsadhvani
"Do Ajnabi Dil Ke Sahare Mil Ke Chale" S. P. Balasubrahmanyam "Tera Naam Likh Kar Haathon Pe" (version 2) solo "Chaha Tha, Chaha Hai, Chahte Rahenge" Rani Malik "Jaane Kyun Dekhta Hain Insaan Aaina" "Mere Dil Ka Taar Baaje Baar Baar" S. P. Balasubrahmanyam "Deewangee Mere Dil Pe Ab Yun Asar Laaye" Vipin Sachdeva "Ek Doosre Ke Bin Hum Hain Adhure"
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A ceasefire between Turkey and the U.S.-backed Kurdish Syrian forces (SDF) around the northern Syrian city of Manbij has been extended until the end of this week, State Department spokesperson ...
Khilte Hain Gul Yahan [TH - A Raga's Journey 1] Sharmeelee: Sachin Dev Burman: Kishore Kumar & Lata Mangeshkar: Hindi: Ābhēri/ Bhimpalasi: Khoya Khoya Chand [TH - A Raga's Journey 1] Kala Bazar: Mohammed Rafi: Hindi: Ābhēri / Bhimpalasi: Man Mor Hua Matavala Afsar(1948 film) S. D. Burman: Suraiya: Hindi: Ābhēri / Bhimpalasi: Tumhi Ne ...