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  2. Gilding - Wikipedia

    en.wikipedia.org/wiki/Gilding

    Gilding is a decorative technique for applying a very thin coating of gold over solid surfaces such as metal (most common), wood, porcelain, or stone. [1] A gilded object is also described as "gilt". Where metal is gilded, the metal below was traditionally silver in the West, to make silver-gilt (or vermeil ) objects, but gilt-bronze is ...

  3. Cameo (carving) - Wikipedia

    en.wikipedia.org/wiki/Cameo_(carving)

    A modern hand-carved portrait cameo of white on blue-layered agate, set in 18 kt white gold. Many modern cameos are carved into layered agates. The layers are dyed to create strong color contrasts. The most usual colors used for two-layer stones are white on black, white on blue, and white on red-brown. Three-layer stones are sometimes made.

  4. Cloisonné - Wikipedia

    en.wikipedia.org/wiki/Cloisonné

    Cloisonné inlays on gold of carnelian, feldspar, garnet, turquoise, lapis lazuli, 1880s BC Chinese Ming Dynasty cloisonné enamel bowl, using nine colours of enamel. Cloisonné (French:) is an ancient technique for decorating metalwork objects with colored material held in place or separated by metal strips or wire, normally of gold.

  5. Scottish jewellery - Wikipedia

    en.wikipedia.org/wiki/Scottish_jewellery

    The most common forms of metal in Scottish jewellery are silver, enamel, gold and pewter. [9] [10] These are often the backing to a stone setting in the case of rings and brooches, but can also provide decoration through casting and other decorative methods. Gold can be found in Scotland around the areas of Lowther Hills, Wanlockhead, and ...

  6. Category:Artworks in metal - Wikipedia

    en.wikipedia.org/wiki/Category:Artworks_in_metal

    Gold objects (11 C, 107 P) I. Islamic metal art (11 P) M. Medieval European metalwork objects (14 C, ... Pages in category "Artworks in metal"

  7. Stonesetting - Wikipedia

    en.wikipedia.org/wiki/Stonesetting

    The sides are made slightly narrower than the width of the stone or stones to be set, and then, using the same burs as in prong setting, a small notch, called a bearing, is cut into each wall. The stone is put in place in those notches, and the metal on top is pushed down, tightening the stone in place.

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