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While ragas in Hindustani music are divided into thaats, ragas in Carnatic music are divided into melakartas. A raga (IAST: rāga, IPA:; also raaga or ragam or raag; lit. ' colouring ' or ' tingeing ' or ' dyeing ' [1] [2]) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. [3]
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Melakarta Ragas Janya ragas are Carnatic music ragas derived from the fundamental set of 72 ragas called Melakarta ragas, by the permutation and combination of the various ascending and descending notes. The process of deriving janya ragas from the parent melakartas is complex and leads to an open mathematical possibility of around thirty thousand ragas. Though limited by the necessity of the ...
One possible classification of ragas is into "melodic modes" or "parent scales", known as thaats, under which most ragas can be classified based on the notes they use. Thaats may consist of up to seven scale degrees, or swara. Hindustani musicians name these pitches using a system called Sargam, the equivalent of the Western movable do solfege:
The more closely the notes of a raga conform to the expression of one single idea or emotion, the more overwhelming the effect of the raga. Since the Raga Kambhoji has been classified as Female Raga (i.e., Ragini), this Raga is particularly suitable in conveying the sentiments of Shringara (romantic and erotic), Hasya (humorous) and Karuna ...
This is a list of various Ragas in Hindustani classical music.There is no exact count/known number of ragas which are there in Indian classical music.. Once Ustad Vilayat Khan saheb at the Sawai Gandharva Bhimsen Festival, Pune said before beginning his performance – "There are approximately four lakh raags in Hindustani Classical music.
Manodharma plays such a significant role that a capable artiste may never render a raga the same way twice. To bring out the quintessence of a raga, one has to resort to the exclusive and distinct raga prayogas, or identifiable phrases of the raga which are mostly taken from the 'set compositions' like varnams and kritis. [7]
Shudda Kanada/Darbari Kanada is one of the most familiar raga's in the family and is considered to have the highest romantic,melancholy and longing aspect of Kanada in it. Ragas in this group belong to different thaats , but particularly to the Asavari or Kafi thaat .