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Loft jazz (or the loft scene or loft era) was a cultural phenomenon that occurred in New York City during the mid-1970s. Gary Giddins described it as follows: "[A] new coterie of avant-garde musicians took much of the jazz world by surprise... [T]hey interpreted the idea of freedom as the capacity to choose between all the realms of jazz ...
Jazz: A History of the New York Scene is a book by Len Kunstadt (founder, with blues great Victoria Spivey, of the Spivey Records label) and Sam Charters documenting the 20th-century jazz scene in New York City. [1] [2] [3]
52nd Street is a 1.9-mile-long (3.1 km) one-way street traveling west to east across Midtown Manhattan, New York City, United States. A short section of it was known as the city's center of jazz performance from the 1930s to the 1950s.
Tamara Hinson checks out the new home for Louis Armstrong’s 60,000-piece archive, alongside the Big Apple’s coolest jazz bars and clubs
The New York club scene is an important part of the city's music scene, the birthplace of many styles of music from disco to punk rock; some of these clubs, such as Studio 54, Max's Kansas City, Mercer Arts Center, ABC No Rio, and CBGB, reached iconic statuses in the United States and the world.
The Tin Palace was a jazz nightclub on the Bowery in New York's East Village, founded by architect Misha Saradoff, that opened in 1973 and closed in 1979. Saradoff hired Paul Pines to manage the nightclub which presented jazz from the classics and standards to cutting edge avant-garde and Afro-Brazilian artists.
In Brazil, a new style of music called bossa nova evolved in the late 1950s. The free jazz movement, coming to prominence in the late 1950s, spawned very few standards. Free jazz's unorthodox structures and performance techniques are not as amenable to transcription as other jazz styles.
Mikell's was a jazz club on the corner of 97th Street and Columbus Avenue, in New York City.. Run by Mike Mikell [1] and Pat Mikell, from 1969 to 1991 it was a regular venue for New York's top studio and session musicians, who would turn up for jam sessions with major soul, funk and jazz artists visiting the city. [2]
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