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Sandro Botticelli, The Birth of Venus (c. 1484–1486).Tempera on canvas. 172.5 cm × 278.9 cm (67.9 in × 109.6 in). Uffizi, Florence Detail: the face of Venus. The Birth of Venus (Italian: Nascita di Venere [ˈnaʃʃita di ˈvɛːnere]) is a painting by the Italian artist Sandro Botticelli, probably executed in the mid-1480s.
The Italian Renaissance painter Sandro Botticelli used the type in his The Birth of Venus. Other versions of Venus' birth show her standing on land or shoreline, wringing the sea-water from her hair. [17] Venus Barbata ("Bearded Venus"), mentioned in Servius' commentary on Virgil's Aeneid. [18] Macrobius's Saturnalia describes a statue of Venus ...
Depicts the goddess Venus, having emerged from the sea as a fully grown woman, arriving at the sea-shore. The seashell she stands on was a symbol in classical antiquity for a woman's vulva. Thought to be based in part on the Venus de' Medici, an ancient Greek marble sculpture of Aphrodite.
Sandro Botticelli, Uffizi Gallery, Florence 1484–1486 Nicolas Poussin, 1635–36, Philadelphia. Through the desire of Renaissance artists reading Pliny to emulate Apelles, and if possible, to outdo him, Venus Anadyomene was taken up again in the 15th century: besides Botticelli's famous The Birth of Venus (Uffizi Gallery, Florence), another early Venus Anadyomene is the bas-relief by Antonio ...
Detail from Botticelli's most famous work, [4] The Birth of Venus (c. 1484–1486) Alessandro di Mariano di Vanni Filipepi (c. 1445 [1] – May 17, 1510), better known as Sandro Botticelli (/ ˌ b ɒ t ɪ ˈ tʃ ɛ l i / BOT-ih-CHEL-ee; Italian: [ˈsandro bottiˈtʃɛlli]) or simply Botticelli, was an Italian painter of the Early Renaissance.
Protesters targeted Botticelli's 'The Birth of Venus' painting in a demonstration at a museum in Florence.
A new art exhibit at the Spelman College Museum of Art reimagines Renaissance ... Consider Michelangelo’s famous “Creation of Adam,” Sandro Botticelli’s “The Birth of Venus” or ...
It depicts not the actual birth of Venus from the sea, but her transportation in a shell as a fully mature woman from the sea to Paphos in Cyprus. She is considered the epitome of the Classical Greek and Roman ideal of the female form and beauty, on par with Venus de Milo. For Bouguereau, it is considered a tour de force. The canvas stands at ...
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