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Mathis' first record album, Johnny Mathis: A New Sound In Popular Song, was a slow-selling jazz album, but Mathis stayed in New York City to sing in nightclubs. His second album was produced by Columbia Records vice-president and record producer Mitch Miller , who helped to define the Mathis sound.
I'm Coming Home (Johnny Mathis song) I'm Glad There Is You; I'm Stone in Love with You; I've Grown Accustomed to Her Face; If I Could Reach You (song) (If You Let Me Make Love to You Then) Why Can't I Touch You? In the Wee Small Hours of the Morning; It Could Happen to You (song) It Might as Well Be Spring; It's Beginning to Look a Lot Like ...
Despite the fact that Mathis did not have another song make the top 10 on the pop chart until 1962, [9] his next 11 LPs, including Johnny's Greatest Hits, Merry Christmas, and Heavenly, all reached the top 10 on the album chart, and several of them were awarded certification for their healthy sales figures. [1]
Christmas Eve with Johnny Mathis (1986) ... Rating; Allmusic [2] 16 Most Requested Songs is a compilation album by American pop singer Johnny Mathis that was ...
Johnny Mathis' All-Time Greatest Hits is a compilation album by American pop singer Johnny ... Joel (2007), Joel Whitburn Presents Billboard Top Adult Songs, 1961 ...
"Too Much, Too Little, Too Late" is a song performed by singers Johnny Mathis and Deniece Williams, written by Nat Kipner and John Vallins. The single was a comeback of sorts for Mathis, because his last U.S. top 10 hit had been 1963’s "What Will Mary Say" and his last U.S. #1 hit had been 1957's "Chances Are." [3]
A few years later, having heard Sarah Vaughan's version of the song, he chose "Misty" as one of the possible songs for his 1959 album Heavenly and informed Erroll Garner that he would record the song. However, at the recording session for the album, it was scheduled that Johnny Mathis should record a show tune rather than "Misty".
The song reached No. 4 on Billboard ' s Best Sellers in Stores survey, along with its flip "The Twelfth of Never", which Mathis initially disliked. [4] The song, released on both 45 RPM and 78 RPM formats, was also included on the 1958 Mathis compilation Johnny's Greatest Hits. The album was certified a gold record on June 5, 1959. [5]