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The whole-tone scale is a series of whole tones. It has two non-enharmonically equivalent positions: C D E F ♯ G ♯ A ♯ C and D ♭ E ♭ F G A B D ♭.It is ...
The H relation (LPL) exchanges a triad for its hexatonic pole (C major and A ♭ minor) [5] Any combination of the L, P, and R transformations will act inversely on major and minor triads: for instance, R-then-P transposes C major down a minor third, to A major via A minor, whilst transposing C minor to E ♭ minor up a minor 3rd via E ♭ major.
The two whole-tone scales as a symmetrical partitioning of the chromatic scale; [1] if C=0 then the top stave has even (02468t) and the bottom has odd (13579e) pitches. In music, a whole-tone scale is a scale in which each note is separated from its neighbors by the interval of a whole tone.
[3] Due to the principle of octave equivalence, scales are generally considered to span a single octave, with higher or lower octaves simply repeating the pattern. A musical scale represents a division of the octave space into a certain number of scale steps, a scale step being the recognizable distance (or interval ) between two successive ...
Modes of limited transposition are musical modes or scales that fulfill specific criteria relating to their symmetry and the repetition of their interval groups. These scales may be transposed to all twelve notes of the chromatic scale, but at least two of these transpositions must result in the same pitch classes, thus their transpositions are "limited".
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Jim Samson [3] points out that it fits in well with Scriabin's mainly dominant quality sonorities and harmony, as it may take on a dominant quality on C or F ♯. This tritone relationship between possible resolutions is important to Scriabin's harmonic language, and it is a property shared by the French sixth (also prominent in his work) of ...