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The mandala in Nichiren Buddhism is a moji-mandala (文字曼陀羅), which is a paper hanging scroll or wooden tablet whose inscription consists of Chinese characters and medieval-Sanskrit script representing elements of the Buddha's enlightenment, protective Buddhist deities, and certain Buddhist concepts.
Japanese mandala of Prajñāpāramitā bodhisattva (Jp: Hannya bosatsu), 14th century, MET. Prajñāpāramitā, Cambodia, Bayon style, ca. 1200, Sandstone Prajñāpāramitā, Tibet, 15th century, gilt bronze, Berkeley Art Museum Illustration of Prajñāpāramitā Devi in a 13th century Tibetan manuscript
The Mandala of the Two Realms (Traditional Chinese: 両界曼荼羅; Pinyin: Liǎngjiè màntúluó; Rōmaji: Ryōkai mandara), also known as the Mandala of the Two Divisions (Traditional Chinese: 両部曼荼羅; Pinyin: Liǎngbù màntúluó; Rōmaji: Ryōbu mandara), is a set of two mandalas depicting both the Five Wisdom Buddhas of the Diamond Realm as well as the Five Wisdom Kings of the ...
Mandala is a geometric configuration of symbols used in various spiritual traditions. Mandala may also refer to: Geography. The Mandala, a famous boulder problem ...
Kawaii (Japanese: かわいい or 可愛い, ; "cute" or "adorable") is a Japanese cultural phenomenon which emphasizes cuteness, childlike innocence, charm, and simplicity. Kawaii culture began to flourish in the 1970s, driven by youth culture and the rise of cute characters in manga and anime (comics and animation) and merchandise ...
The worship of the mandala is the principal ritual during Mha Puja. The mandala represents the universe, and the wick and incense stick which are lighted during the ceremony means that the participant should spread brightness and fragrance for others. [6] Mha Puja is a revered custom among Newars, and is observed outside Nepal too. [7] [8]
The Taima Mandala (當麻曼荼羅,綴織当麻曼荼羅図) is an 8th century mandala in Japanese Pure Land Buddhism. It depicts Sukhavati , the western Pure Land, with the Buddha Amitābha (Japanese: Amida) in the center.
The Khinjili mandala comprised areas of modern-day Boudh, Phulbani, Nayagarh, Ghumusar, and Sonepur.Its capital was Dhritipura (modern Boudh). [12] Nettabhanja, who ruled over the Dhenkanal-Anugul region and made Nava-angulakapatana his capital, was regarded by R. D. Banerji and R. C. Majumdar as the earliest Bhanja king of the Khinjali mandala line.
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