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The Crick Crack Club is a UK-based performance storytelling promoter, founded in 1987. [1] It programs and tours public performances in theatres and art centers nationally, trains and mentors storytellers, undertakes research and advises on the use of oral storytelling in museums and educational settings.
Rachelle Anayansi Mozman Solano is a first generation American and was born and grew up in New York City. [3] She works between New York City and Panama, her maternal family's country. [3]
Elements of the oral storytelling art form often include the tellers encouragement to have participants co-create an experience by connecting to relatable elements of the story and using techniques of visualization (the seeing of images in the mind's eye), and use vocal and bodily gestures to support understanding.
Clive Wilkins was born in Wolverhampton, Staffs, and grew up and was educated in Corby, Northants. He went on to the Tresham Institute, Kettering, (formerly Kettering Technical College) where he enrolled on the art foundation course at the age of 17.
Peterson joined the LA-based Groundlings in 1979 where she created her Elvira persona, a Mistress of the Dark horror host known for her signature Valley girl voice, campy jokes and Morticia Addams ...
The company was an experiment in turning research on girl's gaming preferences into marketable video games. The firm produced games designed around storytelling, open-ended exploration, and rehearsing realistic scenarios from one's day-to-day life, as opposed to competitive games featuring scores and timed segments.
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In the words of Jenkins, "Transmedia storytelling is the art of world making." [1] A single story can now stretch across TV, film, video games and even social media. However what separates this from a franchise is that each medium ideally makes its own unique contribution to the progression of the story, it should be more than just a ...