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First Witch: "When shall we three meet again / In thunder, lightning, or in rain?" Second Witch: "When the hurlyburly's done, / When the battle's lost and won." Notable casts
When shall we three meet again In thunder, lightning, or in rain? SECOND WITCH When the hurlyburly's done, When the battle's lost and won. THIRD WITCH That will be ere the set of sun. FIRST WITCH Where the place? SECOND WITCH Upon the heath. THIRD WITCH There to meet with Macbeth. FIRST WITCH I come, graymalkin! SECOND WITCH Paddock calls ...
In some rare versions the beginning quotes a variation of the opening of William Shakespeare's Macbeth: The original quote of the play ("When shall we three meet again") is changed to "When shall we two meet again", referring to the story told in the video. [25]
Soli e Duettini (Around the Horn, Whirled Series, None but the Lonely Flute, Homily, Beaten Paths, Play it Again Sam, Soli e Duettini, Melismata). The Group for Contemporary Music. Naxos 8559259. Three American String Quartets. Mel Powell, String Quartet (1982); Elliott Carter, Quartet for Strings No. 4 (1986); Milton Babbitt, Quartet No. 5 (1982).
It is a rain dance that explores the Cambodian myth of thunder, lightning, and rain associated with Buddhist mythology. Most of the time, this dance depicts the fight between Reamesor and Moni Mekhala where Reamesor (Ramasura/ Parashurama ) or Ream Eyso attempts to seize the magical crystal ball from Moni Mekhala and this fighting creates a storm.
Until we meet again. 66. Goodbye for now. Sleep well. 67. Your memory will forever live within me. 68. We loved him a lot, but God loves him more. 69. I keep wishing this is a dream and I’ll ...
As weather god, Tarḫunna was responsible for the various manifestations of the weather, especially thunder, lightning, rain, clouds, and storms. He ruled over the heavens and the mountains. Thus it was Tarḫunna who decided whether there would be fertile fields and good harvests, or drought and famine and he was treated by the Hittites as ...
"They All Laughed" is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the 1937 film Shall We Dance where it was introduced by Ginger Rogers as part of a song and dance routine with Fred Astaire.