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The song refers to the town of Hackberry, Louisiana which is located about 30 miles from U.S. Route 90. Several years later, the familiar melody would appear in a 1953 rockabilly called "Route 90" by Clarence Garlow on Flair Records (#1021). The melody is eerily similar in chord progression as well as in the vocal pattern.
Old song are very deep and attractive. The WoodSongs Old-Time Radio Hour is an all-volunteer-run nonbusiness organization and is a worldwide multimedia celebration of grassroots music filmed in front of live audience. WoodSongs is a one-hour musical conversation focusing on the artists and their music. [2]
The goal of this agency, which still exists, was to promote Cajun culture and combat negative stereotypes. In 1974, CODOFIL created the three-hour Tribute to Cajun Music festival, later renamed the Festival de Musique Acadienne, in order to revive an interest in Cajun music and culture among the younger generation. [20] [5]
This list of songs or music-related items is incomplete; you can help by adding missing items. ( October 2021 ) This is a list of notable Cajun musicians , Cajun music instrument makers, Cajun music folklorists, Cajun music historians, and Cajun music activists.
When bands like the Balfa Brothers, Octa Clark and Hector Duhon, and the black Creole band Bois-Sec Ardoin and Canray began to appear and perform at prestigious national folk festivals like the Newport Folk Festival, the University of Chicago Folk Festival, and the National Folklife Festival, they inspired renewed interest in Louisiana in Cajun ...
Williams began writing the song while listening to the Cajuns talk about food on the Hadacol Caravan bus. [4] With a melody based on the Cajun song "Grand Texas", some sources, including AllMusic, claim that the song was co-written by Williams and Moon Mullican, with Williams credited as sole author and Mullican receiving ongoing royalties.
The Mardi Gras song, known in the local Cajun French as "La Danse de Mardi Gras" and "La Vieille Chanson de Mardi Gras ", [30] is a traditional tune sung by the participants, although the exact lyrics vary greatly from town to town. The melody of the traditional folk song is similar to melodies of the Bretons from the northern coast of France. [8]
The Balfa Brothers Play Traditional Cajun Music Vol. 2 (1974) J'ai Vu le Loup, Le Renard et la Belette (1976, re-released Rounder Records, 1988) The Balfa Brothers and Nathan Abshire: The 1970 NYC Cajun Concert (Field Recorders Collective, 2008) The Balfa Family: A Retrospective - Festivals Acadiens et Créoles 1977-2010 (Valcour Records, 2012) [3]