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To the ancient Greeks, the concept of a creator and of creativity implied freedom of action, whereas the Greeks' concept of art involved subjection to laws and rules. Art (in Greek, "techne ") was "the making of things, according to rules." It contained no creativity, and it would have been—in the Greeks' view—a bad state of affairs if it ...
A similar concept existed in Greek culture, where Muses were seen as mediating inspiration from the gods. [17] Romans and Greeks invoked the concept of an external creative "daemon" (Greek) or "genius" (Latin), linked to the sacred or the divine. However, none of these views are similar to the modern concept of creativity, and the rejection of ...
Inspiration (from the Latin inspirare, meaning "to breathe into") is an unconscious burst of creativity in a literary, musical, or visual art and other artistic endeavours. The concept has origins in both Hellenism and Hebraism. The Greeks believed that inspiration or "enthusiasm" came from the muses, as well as the gods Apollo and Dionysus.
The Ancient Greek Philosopher Plato often used episteme and techne interchangeably, much like Socrates. [6] This is because Plato was a student of Socrates and also wrote Socratic works. [ 10 ] Plato's works define techne as activities such as medicine, geometry , politics , music , shipbuilding , carpentry, and generalship. [ 6 ]
Print of Clio, made in the 16th–17th century. Preserved in the Ghent University Library. [2]The word Muses (Ancient Greek: Μοῦσαι, romanized: Moûsai) perhaps came from the o-grade of the Proto-Indo-European root *men-(the basic meaning of which is 'put in mind' in verb formations with transitive function and 'have in mind' in those with intransitive function), [3] or from root *men ...
Both academic and personal bonds developed between early Greek painters and Munich artistry giving birth to the Greek "Munich School" (Greek academic art of the 19th century). Nikolaos Gysis was an important teacher and artist at the Munich Academy and he soon became a leading figure among Greek artists. Many of these Munich School artists ...
The Apollonian and the Dionysian are philosophical and literary concepts represented by a duality between the figures of Apollo and Dionysus from Greek mythology.Its popularization is widely attributed to the work The Birth of Tragedy by Friedrich Nietzsche, though the terms had already been in use prior to this, [1] such as in the writings of poet Friedrich Hölderlin, historian Johann ...
In Greek mythology, the Charites (/ ˈ k ær ɪ t iː z /; Ancient Greek: Χάριτες) [a] or Graces were three or more goddesses of charm, beauty, nature, human creativity, goodwill, and fertility. [1] Hesiod names three – Aglaea ("Shining"), Euphrosyne ("Joy"), and Thalia ("Blooming") [2] [1] – and names Aglaea as the youngest and the ...