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The excellent song of the manifestations of the Buddha, for those knowing these mudras, is the excellent cause of perfection, accomplishes all the esoteric acts, continually brings all the physical necessities, and thus all the forms of increase of goods. So, having sun the songs with six varieties of tunes, sing the divinity's song.
Buddha relics from Kanishka the Great's stupa in Peshawar, Pakistan, now in Mandalay, Burma.Teresa Merrigan, 2005. Śarīra is a generic term referring to Buddhist relics, although in common usage it usually refers to pearl or crystal-like bead-shaped objects that are found among the cremated ashes of Buddhist spiritual masters.
The Eighty-eight Buddhas Great Repentance Text (Chinese: 禮佛大懺悔文) is a Buddhist text widely used in the repentance practice or ritual of Buddhism, especially in the East Asian Mahayana tradition, where it is recited daily in monasteries, temples, and households.
In Mahāyāna Buddhism, especially in Pure Land Buddhism, faith-based meditations can also be found: five recollections are used to remind oneself of the goodness of Amitābha Buddha. The first three represent body, speech and mind: practitioners honor Amitābha Buddha through physical action, e.g. by prostrating; through speech, by chanting in ...
the doha, a song of realization that acknowledges an encounter with a master teacher, traditionally a guru or lama, and explores a particular wisdom or teaching transmitted through a kind of call-and-response duet format. [5] An example of a Doha song available in English translation, is by Rangjung Dorje (1284–1339).
A key element of the doctrine of the eternal buddha-body is a kind of Mahayana docetism, the idea that the Buddha's physical birth and death on earth was a mere appearance, a conventional show for the sake of helping sentient beings (a doctrine which was already found in the Mahāsāṃghika school). [16]
Nirmāṇakāya (Chinese: 應身; pinyin: yīngshēn; Tibetan: སྤྲུལ་སྐུ་, tulku, Wylie: sprul sku) is the third aspect of the trikāya and the physical manifestation of a Buddha in time and space. [1] In Vajrayāna it is described as "the dimension of ceaseless manifestation." [2]
A common practice for the Mantra of Light was to sprinkle pure sand, blessed with this mantra, on the body of a deceased person or their tomb, based on teachings expounded in the Sutra. The belief was that a person who had accumulated much bad karma, and possible rebirth in Hell would be immediately freed and allowed a favorable rebirth into ...