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Cognitive poetics is a school of literary criticism that applies the principles of cognitive science, particularly cognitive psychology, to the interpretation of literary texts. It has ties to reader-response criticism, and also has a grounding in modern principles of cognitive linguistics.
The Sinews of Old England (1857) by George Elgar Hicks shows a couple "on the threshold" between female and male spheres. [1]Terms such as separate spheres and domestic–public dichotomy refer to a social phenomenon within modern societies that feature, to some degree, an empirical separation between a domestic or private sphere and a public or social sphere.
Roland Barthes' definition of myth is the semiological self-mythology derived from everyday life (news, entertainment, advertisements), with its own codes and "whistles". [21] The present- I -sign interacts with others through the future- You -interpretant to retroactively form the past- Me -object.
The descriptive plane is the aspect of narration and consists of words. It is especially crucial to space when it is introduced to the implied reader. The spatial relationship would be impossible to define without description. It describes space directly or implies it, developing together with characters' movements. [11]
The Anxiety of Influence: A Theory of Poetry is a 1973 book by Harold Bloom on the anxiety of influence in writing poetry. It was the first in a series of books that advanced a new "revisionary" or antithetical [ 1 ] approach to literary criticism .
In this essay, Eliot attempts to define the metaphysical poet and in doing so to determine the metaphysical poet's era as well as his discernible qualities. We may express the difference by the following theory: The poets of the seventeenth century, the successors of the dramatists of the sixteenth, possessed a mechanism of sensibility which ...
Leonardo Bruni's translation of Aristotle's Poetics. Poetics is the study or theory of poetry, specifically the study or theory of device, structure, form, type, and effect with regards to poetry, [1] though usage of the term can also refer to literature broadly.
Sylvia Plath. The Sylvia Plath effect is the phenomenon that poets are more susceptible to mental illness than other creative writers. The term was coined in 2001 by psychologist James C. Kaufman, and implications and possibilities for future research are discussed. [1]