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An end-stopped line is a feature in poetry in which the syntactic unit (phrase, clause, or sentence) corresponds in length to the line. Its opposite is enjambment , where the sentence runs on into the next line.
End-stopping is more frequent in early Shakespeare: as his style developed, the proportion of enjambment in his plays increased. Scholars such as Goswin König and A. C. Bradley have estimated approximate dates of undated works of Shakespeare by studying the frequency of enjambment. Endymion by John Keats, lines 2–4:
The occasional end-stopped line may evoke a sense of finale or formality while many end-stops in a row may be used to evoke a jerky cadence. On the contrary, a lack of punctuation allows the reader to interpret the sequence of words in various ways.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
The media predicted that the production would be a massive failure, and possibly spell the end of Brook's career, but on the contrary, it was a huge commercial and critical success, with many of the reviews arguing that Brook's alterations improved Shakespeare's script (Marcus' lengthy speech upon discovering Lavinia was removed and some of the ...
A couplet may be formal (closed) or run-on (open). In a formal (closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (open) couplet, the meaning of the first line continues to the second. [1]
In some of Shakespeare's early works, punctuation at the end of the lines strengthens the rhythm. He and other dramatists at the time used this form of blank verse for much of the dialogue between characters to elevate the poetry of drama. [22] To end many scenes in his plays he used a rhyming couplet, thus creating suspense. [23]
Sonnet 30 starts with Shakespeare mulling over his past failings and sufferings, including his dead friends and that he feels that he hasn't done anything useful. But in the final couplet Shakespeare comments on how thinking about his friend helps him to recover all of the things that he's lost, and it allows him stop mourning over all that has happened in the past.