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The discography of American rock band Hoobastank consists of six studio albums, a live album, three compilation albums, three video albums, one extended play and 20 singles. An unofficial live album, the bootleg Live at Circo Voador, is in circulation among fans.
The best of album The Greatest Hits: Don't Touch My Moustache was released on August 5, through Universal Records in Japan. The Deluxe Edition's tracks were selected from their first four albums by Hoobastank fans on the band's official record label website. Hoobastank was a support band on Creed's 2009 reunion tour.
"Running Away" is a single recorded by Hoobastank. It was the second single released from their self-titled debut album on April 1, 2002. The song peaked at number two on the US Billboard Modern Rock Tracks chart.
Single by Hoobastank; from the album Every Man for Himself; Released: May 1, 2006: Genre: Pop rock [1] Length: 4: 05: Label: Island: Songwriter(s) Dan Estrin, Chris Hesse, Doug Robb: Hoobastank singles chronology "
Every Man for Himself is the third studio album by American rock band Hoobastank, released on May 8, 2006, by Island Records.It was the first album not to feature bassist Markku Lappalainen after his departure in 2005; Jane's Addiction bassist Chris Chaney and Paul Bushnell took his place for the album.
Hoobastank is the debut studio album by American rock band Hoobastank, released on November 20, 2001, by Island Records. Three singles were released from the album: "Crawling in the Dark", "Running Away", and "Remember Me". It has since been certified Platinum in the United States. [8]
"Remember Me" is the third single from American rock band Hoobastank's self-titled debut album. It was released as a single in October 2002. "Remember Me" reached number 23 on the US Billboard Modern Rock Tracks chart and did not chart on the Billboard Hot 100. There are two versions of the song, the album version which includes a long intro ...
The Reason received mixed reviews from critics. Johnny Loftus of AllMusic found the album's teenage poetry and soft-sounding instrumentation too similar to the band's self-titled debut, but found their musicianship more expertly done, concluding that "In the end, The Reason is really a better version of Hoobastank, written and played by more mature versions of Hoobastank."