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The original "up to eleven" knobs in the 1984 film This Is Spinal Tap "Up to eleven", also phrased as "these go to eleven", is an idiom from popular culture, coined in the 1984 film This Is Spinal Tap, where guitarist Nigel Tufnel demonstrates a guitar amplifier whose volume knobs are marked from zero to eleven, instead of the usual zero to ten.
Clapton asked Jim Marshall to produce a combo amplifier with tremolo, which would fit in the boot of his car, and one of the most famous Marshall amps was born, the "Bluesbreaker" amp. [6] This is the amplifier, in tandem with his 1960 Gibson Les Paul Standard (the "Beano"), that gave Clapton that famous tone on the John Mayall & the ...
From 1960, Marshall owned a moderately successful music store in Hanwell, West London, selling drums and then branching out into guitars.His many guitar playing customers (including Ritchie Blackmore, Big Jim Sullivan and Pete Townshend) spoke of the need for a particular kind of amplifier, with Townshend wanting something "bigger and louder", and Marshall saw the opportunity, [2] [6] founding ...
Marshall reissued the 2×12" Bluesbreaker [1] in 1989; the 4×10" was never reissued. [7] This version used 6L6 tubes. [7] [10] A reissue called the 1962 Bluebreaker was available in the 2000s and used 5881 power tubes. [11] An amplifier head, the 2245THW, was reissued in Marshall's "Handwired" series, with circuitry identical to the Bluesbreaker.
Marshall JTM45 MK II Reissue. The Marshall JTM45 amplifier is the first guitar amplifier produced by the British company Marshall.It was initially produced in 1963, and has been ranked among the most desirable of the company's amplifiers.
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Pages in category "Marshall amplifiers" The following 7 pages are in this category, out of 7 total. ... 0–9. Marshall 1959; M. Marshall Bluesbreaker;
The Marshall Major (Model 1967 [1]) was a bass guitar amplifier made by Marshall. It was introduced in 1967 as the "Marshall 200" (in reference to the power of the amplifier). It had a plexi panel and two inputs in one channel, but in contrast with the 100 watt heads made by Marshall, the first series had split tone controls similar to the ...
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