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Kathryn Elizabeth Morgan (born August 17, 1988) [citation needed] is an American ballet dancer. She joined New York City Ballet in 2006 and was promoted to the rank of soloist in 2009. Morgan left New York City Ballet in 2012 due to health complications related to her suffering from Hashimoto's thyroiditis.
Coppélia (sometimes subtitled: La Fille aux Yeux d'Émail (The Girl with the Enamel Eyes) [1]) is a comic ballet from 1870 originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étienne Nuitter.
The New York City Ballet (NYCB) produced its own staging of the standard version, omitting the Polonaise in A major (and leaving the Prelude in A major in its original position), under the original title, Chopiniana. The NYCB premiere was staged by Alexandra Danilova and took place 20 January 1972, at the New York State Theater, Lincoln Center.
Ashley Bouder (/ ˈ b aʊ d ər /; born December 10, 1983) is an American ballet dancer who is currently a principal dancer at the New York City Ballet. She also founded and currently runs her own project, The Ashley Bouder Project.
Ashley retired from the New York City Ballet in 1997, shortly before she turned 47, after 30 years of dancing. [5] She was the longest-serving dancer at New York City Ballet at the time. [ 4 ] She remained in the company as a teaching associate until 2008, then went freelance to coach Balanchine ballets in other companies.
Tiler Kalyn Peck (born January 12, 1989) [1] is an American ballet dancer who is a principal dancer with the New York City Ballet.As well as ballet, she has performed in musical theatre shows and has made cameo appearances in films including Donnie Darko and television series including Tiny Pretty Things.
Fairchild entered the School of American Ballet (SAB), the official school of New York City Ballet, in the fall of 2000. Her brother, Robert Fairchild was also a principal with the company. [ 2 ] She and her brother are both recipients of the Mae L. Wien Award at the School of American Ballet.
[26] [29] The work was staged by the Seattle Opera in 1967 with Joan Sutherland in the title role, and in 2000 with Harolyn Blackwell, [30] and by the New York City Opera in 1984. [31] Kassya, complete except for the orchestration when Delibes died, was edited and orchestrated by Jules Massenet, whose skilful work was praised by reviewers. [32]