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However, the name of the gazelle is scarcely, if at all, to be found in the Bible; in its stead we read roe, hart, or deer. Like a few other names of graceful and timid animals, the word gazelle has always been in the East a term of endearment in love. It was also a woman's favourite name (1 Chronicles 8:9; 2 Kings 12:1; 2 Chronicles 24:1; Acts ...
Artistically, these various representations are somewhat crude, and show the decadence of the pagan art of the time. After the recognition of the Church by Constantine I in 313, the Book of Revelation is the source from which are derived most of the decorative themes of Christian Art. The lamb is now the most important of these, and its meaning ...
Catholics use images, such as the crucifix, the cross, in religious life and pray using depictions of saints. They also venerate images and liturgical objects by kissing, bowing, and making the sign of the cross. They point to the Old Testament patterns of worship followed by the Hebrew people as examples of how certain places and things used ...
The Crucifix, a cross with corpus, a symbol used in the Catholic Church, Lutheranism, the Eastern Orthodox Church, and Anglicanism, in contrast with some other Protestant denominations, Church of the East, and Armenian Apostolic Church, which use only a bare cross Early use of a globus cruciger on a solidus minted by Leontios (r. 695–698); on the obverse, a stepped cross in the shape of an ...
The dominant reading is that the two expressions are both referring to the same thing and the same group of people. To Nolland this verse is not an attack on any particular group, but rather a continuation of the theme of God and Mammon begun at Matthew 6:24 and that verse is an attack on wasteful
God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.
Artistic depictions of events, people, and mythology from the Jewish Torah and Christian Bible. Subcategories This category has the following 6 subcategories, out of 6 total.
During the development of Christian art in the Byzantine Empire (see Byzantine art), a more abstract aesthetic replaced the naturalism previously established in Hellenistic art. This new style was hieratic, meaning its primary purpose was to convey religious meaning rather than accurately render objects and people.