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"For Whom the Bell Tolls" is a song by the Bee Gees, released on 15 November 1993 by Polydor Records as the second single from their 20th studio album, Size Isn't Everything (1993). It was both written and produced by the brothers, peaking at number four on the UK Singles Chart and number six in Ireland.
The European hit single, "For Whom the Bell Tolls", bubbled under on Billboard's Hot 100 at No. 109. [ 15 ] Reception of the album was mixed around the world, though it is notable that it was one of the most successful Bee Gees albums in Argentina , peaking at No. 1 due to the big success of "For Whom the Bell Tolls" there. [ 16 ]
"Wouldn't I Be Someone" was recorded around October 1972 in The Record Plant Studios in Los Angeles.The long chorus, extended by an instrumental section of the song is their new idea and was reminiscent to their 1969 song "Odessa (City on the Black Sea)", but the difference between the two is when electric guitar was added to this song. [2]
"Paying the Price of Love" is the first single from the Bee Gees' 20th studio album, Size Isn't Everything (1993). The song was released in August 1993 by Polydor, reaching the top-10 in Belgium and Portugal, and the top-40 in Austria, Germany, the Netherlands, Switzerland, and the United Kingdom.
Bee Gees Greatest (Expanded) B, M & R Gibb Barry — — Rare Earth had 1979 #39 hit. Written in 1977. The Bee Gees version was released only on the expanded version of Bee Gees Greatest in 2007 "The Way It Was" 1976 Children Of The World: B, R Gibb & Blue Weaver Barry — — "We Lost The Road" 1972 To Whom It May Concern: B & R Gibb Barry ...
"For Whom the Bell Tolls" is a song by American thrash metal band Metallica. It was first released on their second studio album, Ride the Lightning (1984). Elektra Records also released it as a promotional single, with both edited and full-length versions. In March 2018 the song ranked number five on the band's live performance count. [2]
For Whom the Bell Tolls (Bee Gees song) is within the scope of WikiProject Australia, which aims to improve Wikipedia's coverage of Australia and Australia-related topics. If you would like to participate, visit the project page .
The album was released in November 1972. Stephen Holden's contemporary review in Rolling Stone commented that he felt the Bee Gees occupied "a very limited territory of pop music", dealing mainly in ballads of "momentary pathos", and that the album was "headphone mood music that makes no demands beyond a superficial emotional surrender to its perfumed atmosphere of pink frosting and glitter ...