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In 1508, a collection of Greek rhetorical works edited by Demetrios Doukas and published by Aldus Manutius made a poem by Sappho (the Ode to Aphrodite) available in print for the first time; [28] in 1554, Henri Estienne was the first to collect her poetry when he printed the Ode to Aphrodite and the Midnight poem after a collection of fragments ...
The Midnight poem is a fragment of Greek lyric poetry preserved by the Alexandrian grammarian Hephaestion. [1] It is possibly by the archaic Greek poet Sappho, and is fragment 168 B in Eva-Maria Voigt's edition of her works.
The Brothers Poem or Brothers Song is a series of lines of verse attributed to the archaic Greek poet Sappho (c. 630 – c. 570 BC), which had been lost since antiquity until being rediscovered in 2014.
In this analysis, a wide variety of Aeolic verses (whether in Sappho and Alcaeus, or in later choral poetry) are analyzed as a choriambic nucleus (sometimes expanded, as just mentioned), usually preceded by anceps syllables and followed by various single-short sequences (e.g. u – , u – u – , and, by the principle of brevis in longo, u ...
The poem is composed in three-line stanzas based on glyconic cola, [12] made up of a creticus, three glyconics, and a bacchius, [13] the same metre as Sappho 95. [14] Though written over three lines, these stanzas are made up of a single verse without a metrical break, in several cases with words split over two lines. [15]
The Tithonus poem is twelve lines long, [10] and is in a metre called "acephalous Hipponacteans with internal double-choriambic expansion". [11] It is the fourth poem by Sappho to be sufficiently complete to treat as an entire work, along with the Ode to Aphrodite, fragment 16, and fragment 31; [12] a fifth, the Brothers Poem, was discovered in ...
The Suda also attributes to her epigrams, elegiacs, and iambics; three of these epigrams are extant, but are in fact later Hellenistic poems inspired by Sappho. [48] The iambic and elegiac poems attributed to her in the Suda may also be later imitations. [j] [48] Ancient authors claim that she primarily wrote love poetry, [51] and the indirect ...
Fragment 31 is composed in Sapphic stanzas, a metrical form named after Sappho and consisting of stanzas of three long followed by one short line. [b] Four strophes of the poem survive, along with a few words of a fifth. [1] The poem is written in the Aeolic dialect, which was the dialect spoken in Sappho's time on her home island of Lesbos.