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The origin of Noh mai can be traced back to as far as the fourteenth century. [5] [6] Noh mai is a dance that is done to music that is made by flutes and small hand drums called tsuzumi. [7] At various points the performers dance to vocal and percussion music; these points are called kuse or kiri. Noh mai dances are put together by a series of ...
Mai is a static and abstract movement with an emphasis on the ritual aspect, which is often present in the adaptation sequences of the nô theater; [15] odori is a dynamic and rhythmic movement resulting from nenbutsu-odori , a dance invented by a Buddhist monk around the 10th century; [14] furi includes theatrical, dramatic and figurative body ...
Noh (能, Nō, derived from the Sino-Japanese word for "skill" or "talent") is a major form of classical Japanese dance-drama that has been performed since the 14th century. . It is the oldest major theater art that is still regularly performed today.
Noh: Shite 1955 Kenzō Kondo (近藤乾三) 1890 1988 Noh: Shite 1966 Michio Sakurama (桜間道雄) 1897 1983 Noh: Shite 1970 Tokuzō Gotō (後藤得三) 1897 1991 Noh: Shite 1970 Yazaemon Teshima (豊嶋弥平) 1899 1978 Noh: Shite 1977 Susumu Takahashi (高橋進) 1902 1984 Noh: Shite 1978 Shigeo Matsumoto (松本惠雄) 1915 2003 Noh ...
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(Jo-no-mai is a dance performed in the introduction to a Noh play, and Soshi-arai Komachi is the title of a Noh play about the Heian period poet Ono no Komachi.) Shoen took great inspiration from the female character in noh theater. It is important to note that men performed all the roles in noh theater including the female roles.
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