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Staying Alive: Original Motion Picture Soundtrack, the film's soundtrack album, was released in 1983 and is performed mostly by the Bee Gees. Five new Bee Gees songs were on Side one, with Side two featuring songs by other artists which were mostly written by Frank Stallone , brother of the film's director, Sylvester Stallone .
There were so many songs called 'Saturday Night', even one by the Bay City Rollers, so when we rewrote it for the movie, we called it 'Stayin' Alive'. [10] The track was recorded at Criteria Studios, with Maurice Gibb playing a bass line similar to the guitar riff, Barry Gibb and Alan Kendall on guitar riffs, and Blue Weaver on synthesizers.
"Far from Over" is a song by Frank Stallone that appeared in the 1983 film Staying Alive and was also featured in the film's soundtrack. The song was written by Stallone and Vince DiCola. The song was nominated for a Golden Globe Award for Best Original Song. The song was remixed by Jellybean Benitez.
"Someone Belonging to Someone" and the instrumental version of "I Love You Too Much" would become the second single off the Staying Alive soundtrack. Robin and Maurice are not clearly present on either of these songs. The musicians are not credited on the sleeve, but the single credits David Sanborn for the saxophone solo.
"The Woman in You" was the last track recorded for Staying Alive, and the lead single from the soundtrack. Director Sylvester Stallone used the Bee Gees songs in the movie more as background music rather than the prominent way Saturday Night Fever had featured them. The single received more airplay than the Bee Gees previous two singles, though ...
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"Staying Alive" previews 'God Did,' the producer-mogul's thirteenth studio album. DJ Khaled Announces ‘Staying Alive’ With Drake & Lil Baby, ‘God Did’ Release Date Skip to main content
In 1995, British electronic music group N-Trance recorded a dance version of "Stayin' Alive", with new lyrics and rapping by Ricardo da Force. This cover was released in September 1995 by All Around the World Productions as the third single from the group's debut album, Electronic Pleasure (1995).