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The phrase port de bras is used in some schools and parts of the world to indicate a bending forward, backward, or circularly of the body at the waist, generally to be followed by bringing the upper body back to center/upright again, e.g. "port de bras forward", "port de bras back", "circular port de bras/grand port de bras".
I have only studied in a school claiming to teach "American" style - supposedly a mix of all styles - but the terms I have been looking for the spelling of: saut de chat {pronounced "sō-də-shǎ" (a leap similar to grand jeté but beginning with a developpé)} tembé {pronounced "tǒm-bě" meaning "to fall" (often happens before a pas de ...
They move sideways, doing sixteen pas de chat. Ideally, the dancers move in exact unison. At the very end, they break their chain and try to "fly", only to drop to the ground. According to ballet writer Jean Battey Lewis in a 1997 NPR commentary [1] the Little Swans are usually portrayed by unknown, up-and-coming dancers. Ironically, in view of ...
Ballet technique is also used to exhibit ballon, the appearance of gravity-defying lightness, during leaps. Pointe technique is the part of ballet technique concerned with dancing on the tips of fully extended feet. The core techniques of ballet are common throughout the world, though there are minor variations among the different styles of ballet.
The Afternoon of a Faun (French: L'Après-midi d'un faune) is a ballet choreographed by Vaslav Nijinsky for the Ballets Russes, and was first performed in the Théâtre du Châtelet in Paris on 29 May 1912. Nijinsky danced the main part himself. The ballet is set to Claude Debussy's symphonic poem Prélude à l'après-midi d'un faune.
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La Sylphide is often confused with the 1909 ballet Les Sylphides, another ballet involving a mythical sylph. The latter was choreographed by Michel Fokine for the Ballets Russes, using music by Frédéric Chopin, as a short performance. Though inspired by La Sylphide, it was meant to be performed as an independent ballet with its own merits.