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Baguette – a long, thin type of bread of French origin. [1] [2] The "baguette de tradition française" is made from wheat flour, water, yeast, and common salt. It may contain up to 2% broad bean flour, up to 0.5% soya flour, and up to 0.3% wheat malt flour. [3] Boule de pain – a traditional
A more colloquial quasi-synonymous expression in French would be en tout bien tout honneur. hors de combat lit. "out of the fight": prevented from fighting or participating in some event, usually by injury. hors concours lit. "out of competition": not to be judged with others because of the superiority of the work to the others. hors d'œuvre
The Dictionnaire Illustré Latin-Français (French: [diksjɔnɛːʁ ilystʁe latɛ̃ fʁɑ̃sɛ]; Illustrated Latin–French Dictionary) is a dictionary of Latin, described in French. Compiled by the French philologist Félix Gaffiot (1870–1937), it is commonly eponymized « Le Gaffiot » ("The Gaffiot") by the French.
The Dictionnaire de l'Académie française (French pronunciation: [diksjɔnɛːʁ də lakademi fʁɑ̃sɛːz]) is the official dictionary of the French language. The Académie française is France's official authority on the usages, vocabulary, and grammar of the French language, although its recommendations carry no legal power. Sometimes ...
A baguette (/ b æ ˈ ɡ ɛ t /; French: ⓘ) is a long, thin type of bread of French origin [3] that is commonly made from basic lean dough (the dough, not the shape, is defined by French law). [4] It is distinguishable by its length and crisp crust .
The Dictionnaire de la langue française (French pronunciation: [diksjɔnɛːʁ də la lɑ̃ɡ fʁɑ̃sɛːz]) by Émile Littré, commonly called simply the "Littré", is a four-volume dictionary of the French language published in Paris by Hachette. The dictionary was originally issued in 30 parts, 1863–72; a second edition is dated 1872–77.
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The Death of the Virgin, also known as The Dormition of the Virgin, is a 1564 grisaille painting by Dutch and Flemish painter Pieter Bruegel the Elder, depicting the death of the Virgin Mary with the Apostles and other figures in attendance. It is now displayed in Upton House and under the care of the National Trust. [1]