Search results
Results from the WOW.Com Content Network
It is considered a sort of alankar, or ornament. Meend is an important part of any classical performance; however, it is a technique not possible on a hand-held harmonium often used in musical concerts (or on the santoor). For this reason, traditionalists singing khyal prefer an accompaniment on an instrument such as a sarangi that can perform ...
All India Secondary School Examination, commonly known as the class 10th board exam, is a centralized public examination that students in schools affiliated with the Central Board of Secondary Education, primarily in India but also in other Indian-patterned schools affiliated to the CBSE across the world, taken at the end of class 10. The board ...
Gamaka (Hindi: गमक / Urdu: گمک) (also spelled gamakam) refer to ornamentation that is used in the performance of North and South Indian classical music. [1] Gamaka can be understood as embellishment done on a note or between two notes. Present-day Carnatic music uses at least fifteen different kinds of ornamentation. [2]
Raudram rasa of the destructive fury of goddess Durga in Bharatanatyam. The theory of rasas still forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, Kathakali and others.
Bharatendu Harishchandra (9 September 1850 – 6 January 1885) was an Indian poet, writer, and playwright.He authored several dramas, life sketches, and travel accounts, using new media such as reports, publications, letters to editors of publications, translations, and literary works to shape public opinion.
The students attend Dr. James Craik Elementary School and belong to the district's ACHIEVE program, for students with "significant cognitive disabilities" and SOAR program, for students with autism.
Avoid the stresses of hosting a holiday party by limiting guest beverage options so you can spend more time focusing on family and friends. Here are 5 tips to help.
Jhaptal is a 10-beat pattern used in raga exposition. It has ten beats in four divisions (), of 2-3-2-3, the third of which is the khali, or open division.To follow the tal the audience clap on the appropriate beat, which in jhaptal is beats 1, 3 and 8 (the first beat in each full division).