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The women's sack-back gowns and the men's coats over long waistcoats are characteristic of this period. Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English ...
Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s. This era is defined as late Baroque / Rococo style.
Illustration of women's fashion from 1792; Sketch by Isaac Cruikshank (father of George), showing both male and female middle-class English styles of the early 1790s. La Comtesse Bucquoi wears a sashed gown with a high-necked, frilled chemise beneath, a turban on her head, and a newly fashionable scarlet shawl. 1793.
Models were produced in both polychrome and plain white examples, with the latter more numerous, and the colouring often varying considerably between examples (see picture above). With the older, and far more prolific, modeller Johann Joachim Kaendler of Meissen, Bustelli is the outstanding figure of Rococo porcelain, and his best work has a ...
Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
Italian Rococo was mainly inspired by the rocaille or French Rococo, since France was the founding nation of that particular style. The styles of the Italian Rococo were very similar to those of France. The style in Italy was usually lighter and more feminine than Italian Baroque art, and became the more popular art form of the settecento.
In sum, for a better understanding of Rococo painting, it is necessary that we first clearly perceive that it is not limited to France, even though it appeared there most fully, typically and essentially, and is the basic reference of the entire style, but manifested itself in a great variety of forms in a vast area of the West, adapting itself ...
A lukewarm response to these series of ambitious works induced Fragonard to abandon the Rococo style and to experiment with Neoclassicism. He married Marie-Anne Gérard, herself a painter of miniatures, [9] (1745–1823) on 17 June 1769 and had a daughter, Rosalie Fragonard (1769–1788), who became one of his favourite models. In October 1773 ...