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The Feeding of the 5,000 is also known as the "miracle of the five loaves and two fish"; the Gospel of John reports that Jesus used five loaves and two fish supplied by a boy to feed a multitude. According to the Gospel of Matthew , when Jesus heard that John the Baptist had been killed, he withdrew by boat privately to a solitary place.
Based on Jesus' doctrine of the sheep and the goats, the corporal and spiritual works of mercy are a means of grace as good deeds; it is also a work of justice pleasing to God. [6] The precept is an affirmative one, that is, it is of the sort which is always binding but not always operative, for lack of matter or occasion or fitting circumstances.
Images of Jesus tend to show ethnic characteristics similar to those of the culture in which the image has been created. Beliefs that certain images are historically authentic, or have acquired an authoritative status from Church tradition, remain powerful among some of the faithful, in Eastern Orthodoxy, Lutheranism, Anglicanism, and Roman ...
It is an anonymous work or pseudonymous work and 70 years have passed since the date of its creation; It is another kind of work, and 70 years have passed since the year of death of the author (or last-surviving author)
Earlier this year a picture re-emerged that showed what Jesus might have looked like as a kid. Detectives took the Turin Shroud, believed to show Jesus' image, and created a photo-fit image from ...
These two miracles occur in John 6:1-24 and Matthew 14:13-36 and the feeding of the crowd is in Luke 9:10-17. The feeding of the 5,000 people and the resurrection of Jesus appear to be the only miracles recorded simultaneously in all four Gospels. [25]
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
Subjects showing the life of Jesus during his active life as a teacher, before the days of the Passion, were relatively few in medieval art, for a number of reasons. [1] From the Renaissance, and in Protestant art, the number of subjects increased considerably, but cycles in painting became rarer, though they remained common in prints and ...