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SW - solid wood used throughout; V - vibrato (on electric guitars) This often combines with the prefix to tell a guitar's story. For example, the WLG110SWCEK indicates that it's part of the Woodline series (WL-), likely top of the line (110), Grand Auditorium (G) size, all solid wood, cutaway, piezo pickup, and originally included a case.
In the early 1970s, Guild began to form import brands for acoustic and electric guitars made in Asia. There was a total of three import brands: Madeira, Burnside, and DeArmond. Madeira Acoustic and Electric Guitars were import guitars based on existing Guild designs. They are characterized by their unique pickguard shape and differing headstock.
The most common and good-quality Lotus guitars were usually manufactured by Samick and others in Korea and India. The top-of-the-line early 1980s models were made both in Korea by Cort Guitars (early neck-through models) and in Japan by Morris/Moridaira (neck-through models, set-neck Washburn Eagle copies, and decent Gibson Les Paul copies).
The Washburn N4 is an electric guitar model, developed in collaboration between Nuno Bettencourt, Washburn and the Seattle-based luthier Stephen Davies. Since its introduction in mid-late 1990, it became Bettencourt's primary guitar and it is marketed by Washburn as his signature model. The N4 is the flagship of the Washburn N-prefix guitar models.
Modest classical guitars, small steel-stringed acoustic guitars, mandolins and violins were built and marketed in the mid-1960s. [3] However, as other Japanese companies were producing similar instruments, Matsumoku set out to distinguish itself by producing high-quality acoustic and electric archtop guitars .
Many guitarists believe that the OM—a combination of Martin's modified 14-fret 000 body shape, long scale (25.4") neck, solid headstock, 1-3/4" nut width, 4-1/8" maximum depth at the endwedge, and 2-3/8" string spread at the bridge—offers the most versatile combination of features available in a steel-string acoustic guitar.
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