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A fairy tale (alternative names include fairytale, fairy story, household tale, [1] magic tale, or wonder tale) is a short story that belongs to the folklore genre. [2] Such stories typically feature magic , enchantments , and mythical or fanciful beings.
Pages in category "Short stories based on fairy tales" The following 7 pages are in this category, out of 7 total. This list may not reflect recent changes. D.
Angela Carter's The Bloody Chamber (1979) (stories) Robin McKinley's The Door in the Hedge (1981) Tanith Lee's Red as Blood, or Tales from the Sisters Grimmer (1983) a collection of short stories, all fairytale fantasies, many of them revisionist; Francesca Lia Block's The Rose and the Beast (1993) (stories) Emma Donoghue's Kissing the Witch ...
Each story has its feet firmly planted in the real world, but serves as an epicenter for swirling fantasies. In one story, "The Lizzie Borden Jazz Babies," Sparks makes use of a tragic plot point that sets off many classic fairy tales – the untimely death of a protagonist's parent – and applies it to the father instead of the mother.
English fairy tales, short stories that belong to the folklore genre. Such stories typically feature magic, enchantments, and mythical or fanciful beings.
Sylvia leads the way to Dwindle, whilst Marco entertains her with his poems, songs and stories. At the maiden Roseanne's house, who, after having saved the life of the good fairy, Melynda, was blessed with the gift of a gold piece for every word she speaks (ala Diamonds and Toads ), is besieged with so much gold that it frequently traps her ...
The Fairy Tales of Hermann Hesse is a collection of 22 fairy tales written by Hermann Hesse between the years of 1904 and 1918 and translated by Jack Zipes. A list of the individual fairy tales and the year in which they were written follows. This collection was published in 1995 and is the first English translation for most of the tales.
The Golden Key is a fairy tale written by George MacDonald.It was published in Dealings with the Fairies (1867).. It is particularly noted for the intensity of the suggestive imagery, which implies a spiritual meaning to the story without providing a transparent allegory for the events in it.
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