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While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as ...
Ce qu'on entend sur la montagne, symphonic poem after Victor Hugo, (1846) Rédemption, for soprano, chorus and orchestra, M. 52 (1872, r. 1874)
A Pagan Poem; Pan and Syrinx; Pastorale d'été (Honegger) Pelleas und Melisande (Schoenberg) Phaethon (composition) Pilgrims and Pioneers; The Poem of Ecstasy; Poema del Iguazú; Polonia (Elgar) Popol Vuh (Ginastera) Prélude à l'après-midi d'un faune; Proceed, Moon
Inspired by the Goethe poem, Dukas's work is part of the larger Romantic genre of programmatic music, which composers like Franz Liszt, Claude Debussy, Jean Sibelius and Richard Strauss increasingly explored as an alternative to earlier symphonic forms. Unlike other tone poems, such as La mer by Debussy or Finlandia by Sibelius, Dukas's work is ...
Le Rouet d'Omphale (The Spinning Wheel of Omphale or Omphale's Spinning Wheel), Op. 31, is a symphonic poem for orchestra, composed by Camille Saint-Saëns in 1871. It is one of the most famous of the four symphonic poems in a mythological series by Saint-Saëns. The other three in the series are Danse macabre, Phaëton, and La jeunesse d'Hercule.
Tintagel is a symphonic poem by Arnold Bax. It is his best-known work, and was for some years the only piece by which the composer was known to many concert-goers. The work was inspired by a visit Bax made to Tintagel Castle in Cornwall in 1917, and, although not explicitly programmatic, draws on the history and mythology associated with the ...
Les préludes is the earliest example for an orchestral work that was performed as "symphonic poem". In a letter to Franz Brendel of 20 February 1854, Liszt simply called it "a new orchestral work of mine ( Les préludes )". [ 60 ]
Isle of the Dead (Russian: Остров мёртвых), Op. 29, is a symphonic poem composed by Sergei Rachmaninoff, written in the key of A minor. The piece was inspired by a black and white reproduction of Arnold Böcklin's painting Isle of the Dead, which he saw in Paris in 1907. He composed the work from January to March of 1909, but later ...