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The Quito School (Escuela Quiteña) is a Latin American colonial artistic tradition that constitutes essentially the whole of the professional artistic output developed in the territory of the Royal Audience of Quito – from Pasto and Popayán in the north to Piura and Cajamarca in the south – during the Spanish colonial period (1542–1824 ...
This is a list of paintings and drawings by the 17th-century Spanish artist Diego Velázquez. Velázquez is estimated to have produced between only 110 and 120 known canvases. [1] Among these paintings, however, are many widely known and influential works. All paintings are in oil on canvas unless noted.
Virgin of Carmel Saving Souls in Purgatory, Circle of Diego Quispe Tito, 17th century, collection of the Brooklyn Museum The Cusco school (escuela cuzqueña) or Cuzco school, was a Roman Catholic artistic tradition based in Cusco, Peru (the former capital of the Inca Empire) during the Colonial period, in the 16th, 17th and 18th centuries.
Spanish Baroque painting refers to the style of painting which developed in Spain throughout the 17th century and the first half of the 18th century. [1] The style appeared in early 17th century paintings, and arose in response to Mannerist distortions and idealisation of beauty in excess, appearing in early 17th century paintings.
Juan Sánchez Cotán was a wealthy Spanish still life painter, active in Toledo in the early 17th century. His best paintings are considered to be of fruits and vegetables. [1] [2] [3] He later abandoned still lifes for religious figures after joining a Carthusian monastery. [2]
The rest of 19th-century Spanish art followed European trends, generally at a conservative pace, until the Catalan movement of Modernisme, which initially was more a form of Art Nouveau. Picasso dominates Spanish Modernism in the usual English sense, but Juan Gris, Salvador Dalí and Joan Miró are other leading figures.
Portrait of Francisco Pacheco (1622) by Diego Velázquez Francisco Pacheco, Lo Judici Final ("The Last Judgment"), Musée Goya, Castres, France.. Francisco Pérez del Río (bap. 3 November 1564 – 27 November 1644), known by his pseudonym Francisco Pacheco, was a Spanish painter, best known as the teacher of Alonso Cano and Diego Velázquez, as well as the latter's father-in-law.
The origins of the Prado's Mona Lisa are linked to those of Leonardo's original, as both paintings were likely created simultaneously in the same studio. [2] The first documentary reference was made in the 1666 inventory in the Galleria del Mediodia of the Alcazar in Madrid as Mujer de mano de Leonardo Abince (Woman by Leonardo da Vinci's hand). [7]
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