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Tall, staggering walls make an ideal canvas for decorative painters to work their magic. Selecting a subject or motif for the painting can be tricky, but take note from designer Beth Webb and look ...
Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration .
In the 1980s, illusionary wall painting experienced a renaissance in private homes. The reason for this revival in interior design could, in some cases be attributed to the reduction in living space for the individual. Faux architectural features, as well as natural scenery and views, can have the effect of 'opening out' the walls.
Apparently starting in embroidery, it then appears in garden design before being used in Northern Mannerist painted decorative schemes "with a central medallion combined with acanthus and other forms" by Simon Vouet and then Charles Lebrun who used "scrolls of flat bandwork joined by horizontal bars and contrasting with ancanthus scrolls and ...
Chalkware flourished during the mid-century modern era (1945-1965) as an inexpensive and expressive medium for the home, serving many types of taste and types of decorative need with table lamps, figurines, wall decor and tourist memorabilia.
Grand Neoclassical interior by Robert Adam, Syon House, London Details for Derby House in Grosvenor Square, an example of the Adam brothers' decorative designs. The Adam style (also called Adamesque or the Style of the Brothers Adam) is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728 ...
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