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The Book of Jubilees states that Ur was founded in 1688 Anno Mundi (year of the world) by 'Ur son of Kesed", presumably the offspring of Arphachshad, adding that in this same year wars began on Earth. "And ’Ûr, the son of Kêsêd, built the city of ’Arâ of the Chaldees, and called its name after his own name and the name of his father."
Ur [a] (/ ʊr / or / ɜːr / [3]) was an important Sumerian city-state in ancient Mesopotamia, located at the site of modern Tell el-Muqayyar [b] (Arabic: تَلّ ٱلْمُقَيَّر, lit. ' mound of bitumen ') in Dhi Qar Governorate , southern Iraq .
"Earth Song" is a song by the American singer Michael Jackson. It was written by Jackson and produced by Jackson, David Foster and Bill Bottrell . It was released by Epic Records on November 7, 1995, as the third single from Jackson's ninth studio album, HIStory: Past, Present and Future, Book I (1995).
The Lyres of Ur or Harps of Ur is a group of four string instruments excavated in a fragmentary condition at the Royal Cemetery at Ur in Iraq from 1922 onwards. They date back to the Early Dynastic III Period of Mesopotamia , between about 2550 and 2450 BC, making them the world's oldest surviving stringed instruments. [ 1 ]
From hints in the song Nin me šara ("the Exaltation of Inana"), the events can be reconstructed from the point of view of Enheduanna: a certain Lugal-Ane came to power in the city of Ur, who as the new ruler invoked the legitimacy of the city god Nanna. Lugal-Ane is probably identical with a Lugal-An-na or Lugal-An-né, who is mentioned in ...
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David Playing the Harp by Jan de Bray, 1670.. Knowledge of the biblical period is mostly from literary references in the Bible and post-biblical sources. Religion and music historian Herbert Lockyer, Jr. writes that "music, both vocal and instrumental, was well cultivated among the Hebrews, the New Testament Christians, and the Christian church through the centuries."
Ninlil, the lady of heaven and earth, the lady of all the lands, is honoured in the praise of the Great Mountain. [7] Andrew R. George suggested that the hymn to Enlil "can be incorporated into longer compositions" as with the Kesh temple hymn and "the hymn to temples in Ur that introduces a Shulgi hymn." [20]