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These obelisks are now dispersed around the world, and fewer than half of them remain in Egypt. The earliest temple obelisk still in its original position is the 68-foot (20.7 m) 120-metric-ton (130-short-ton) [9] red granite Obelisk of Senusret I of the Twelfth Dynasty at Al-Matariyyah in modern Heliopolis. [10]
The obelisk and its base contain a number of inscriptions. Two ancient inscriptions at the base of the shaft describe its original dedication in Rome, four inscriptions on the pedestal composed by Cardinal Silvio Antoniano describe its rededication in 1586, and lower down, in smaller script, is an acknowledgement of Domenico Fontana's role in the moving of the obelisk.
The unfinished obelisk in its quarry at Aswan, 1990. The obelisk and wider quarry were inscribed on the UNESCO World Heritage List in 1979 along with other examples of Upper Egyptian architecture, as part of the "Nubian Monuments from Abu Simbel to Philae" (despite the quarry site being neither Nubian, nor between Abu Simbel and Philae). [2]
The Northern Stelae Park in Axum in 2002, with King Ezana's Stele at the middle and the Great Stela lying broken. (The Obelisk of Axum was returned later.). This monument, properly termed a stele (hawilt or hawilti in the local Afroasiatic languages [which?]) was carved and erected in the 4th century by subjects of the Kingdom of Aksum, an ancient civilization focussed in the Ethiopian and ...
An obelisk-shape structure built to commemorate the Organisation of Islamic Conference. Luxor Hotel: Las Vegas, Nevada: United States: The obelisk stands in front of the hotel, a pyramid-shaped hotel along The Strip: Endicott, Triple Cities, New York: United States: 1975
The Obélisque d'Arles ("Arles Obelisk") is a 4th-century Roman obelisk, erected in the center of the Place de la République, in front of the town hall of Arles, France. Description [ edit ]
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Broken Obelisk, perhaps the best American sculpture of its time, is Newman's meditation on ancient Egypt: a steel pyramid, from whose apex an inverted obelisk rises like a beam of light. Here, Newman bypassed the Western associations of pyramids and broken columns with death, and produced a life-affirming image of transcendence.