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Dramatic monologue is a type of poetry written in the form of a speech of an individual character. M.H. Abrams notes the following three features of the dramatic monologue as it applies to poetry: The single person, who is patently not the poet, utters the speech that makes up the whole of the poem, in a specific situation at a critical moment
Oedipus, a figure commonly considered a tragic hero. A tragic hero (or sometimes tragic heroine if they are female) is the protagonist of a tragedy.In his Poetics, Aristotle records the descriptions of the tragic hero to the playwright and strictly defines the place that the tragic hero must play and the kind of man he must be.
"Character of the Happy Warrior" is a poem by the English Romantic poet William Wordsworth. Composed in 1806, after the death of Lord Nelson, hero of the Napoleonic Wars, and first published in 1807, [1] the poem purports to describe the ideal "man in arms" and has, through ages since, been the source of much metaphor in political and military life.
Manfred: A dramatic poem is a closet drama written in 1816–1817 by Lord Byron. It contains supernatural elements, in keeping with the popularity of the ghost story in England at the time. It is a typical example of Gothic fiction .
Dramatic Lyrics is a collection of English poems by Robert Browning, first published in 1842 [1] as the third volume in a series of self-published books entitled Bells and Pomegranates.
Dramatic monologues are a type of persona poem, because "as they must create a character, necessarily create a persona". [ 1 ] The editors of A Face to Meet the Faces: The Anthology of Contemporary Persona Poetry state that "The literary tradition of persona, of writing poems in voices or from perspectives other than the poet's own, is ancient ...
The narrator is usually in a situation that reveals to the reader some aspect of his personality. Instead of speeches that are intended for others' ears, most are soliloquies. They are generally darker than the poems found in Men and Women , his previous collection, and along with The Ring and the Book these poems embody a turning point in ...
The poetry depends on extended, elaborate metaphors and conceits, and the language is often rhetorical—written for actors to declaim rather than speak. For example, the grand speeches in Titus Andronicus , in the view of some critics, often hold up the action, while the verse in The Two Gentlemen of Verona has been described as stilted.