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Kyoko Okudera, the main female protagonist in the Japanese horror movie Chakushin Ari 2; Kyoko, a To-Oh University student in the anime and manga series Death Note (appears volumes 3 and 4, episodes 9, 10, and 15). She is noted for her crush on the Detective L.
Kamen Rider Amazons the Movie: The Last Judgement; Kazuo Umezu's Horror Theater; Kenpei to Yūrei; Killer Motel; Kishibe-chou Kidan: Tanbou-hen; Kokkuri-san: Gekijoban; Kokkuri-san: Shin Toshi Densetsu; Kotodama – Spiritual Curse; Kuroneko; Kyōfu
House (Japanese: ハウス, Hepburn: Hausu) is a 1977 Japanese comedy horror film directed and produced by Nobuhiko Obayashi.It is about a schoolgirl traveling with her six friends to her ailing aunt's country home, where they come face to face with supernatural events as the girls are, one by one, devoured by the home.
In their film script, Takashi and Nakata changed the protagonist's gender (from male to female), name (from Kazuyuki Asakawa to Reiko Asakawa), marital status (from married to divorced) and child's gender and name (from daughter Yoko to son Yoichi). [10] With the budget of US$1.5 million, the entire production took nine months and one week.
Dark Water (Japanese: 仄暗い水の底から, Hepburn: Honogurai mizu no soko kara, lit. "From the Depths of Dark Water") is a 2002 Japanese supernatural horror film directed by Hideo Nakata and written by Yoshihiro Nakamura and Kenichi Suzuki, based on the short story collection by Koji Suzuki. [1]
One of the first major Japanese horror films was Onibaba (1964), directed by Kaneto Shindo. [10] The film is categorized as a historical horror drama where a woman and her mother-in-law attempt to survive during a civil war. [10] Like many early Japanese horror films, elements are drawn largely from traditional Kabuki and Noh theater. [9]
Kuroneko (藪の中の黒猫, Yabu no Naka no Kuroneko, "A Black Cat in a Bamboo Grove"; or simply The Black Cat) [2] is a 1968 Japanese historical drama and horror film directed by Kaneto Shindō, and an adaptation of a supernatural folktale.
To help gain money for the documentary took various film jobs for hire, including returning to directing in Japan where he began developing the film Don't Look Up for J-Movie Wars, a subsidiary of a major Japanese satellite television company. [4] The majority of the film was shot on the abandoned stages of Nikkatsu. [5]