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This church was called S. Maria Novella ('New') [1] because it was built on the site of the 9th-century oratory of Santa Maria delle Vigne. When the site was assigned to the Dominican Order in 1221, they decided to build a new church and adjoining cloister. The church was designed by two Dominican friars, Fra Sisto Fiorentino and Fra Ristoro da ...
The Tornabuoni Chapel (Italian: Cappella Tornabuoni) is the main chapel (or chancel) in the church of Santa Maria Novella, Florence, Italy. It is famous for the extensive and well-preserved fresco cycle on its walls, one of the most complete in the city, which was created by Domenico Ghirlandaio and his workshop between 1485 and 1490.
The Tornabuoni Altarpiece (Italian - Pala Tornabuoni) is a tempera on panel painting by Domenico Ghirlandaio and his studio as the high altarpiece for the Tornabuoni Chapel in Santa Maria Novella. [1] It was begun around 1490 and completed around 1498, four years after the painter's death.
Andrea di Bonaiuto is known for his stained glass window of the Coronation of Mary in the Basilica of Santa Maria Novella, and his fresco decorations in the Spanish chapel (then called Cappellone degli Spagnoli) of the chapter house there. The central theme of the frescos in the Spanish chapel is the glorification of the Dominican Order.
Story of Noah, c. 1447, in the refectory of Santa Maria Novella, Florence. Scenes from the Life of Noah are a pair of frescoes painted in 1436–1440 Ref? (or around 1447) [1] by Paolo Uccello in the Chiostro Verde (Green Cloister) of Santa Maria Novella in Florence.
The Rucellai Madonna is the earlier of the two works by Duccio for which there is written documentation (the other is the Maestà of 1308–11). The altarpiece was commissioned by the Compagnia dei Laudesi, a lay confraternity devoted to the Virgin, to decorate the chapel they occupied in the transept of the newly built Dominican church of Santa Maria Novella in Florence.
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