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Oehler-system clarinet and Full-Oehler clarinet with bell mechanism to correct low E and F The Oehler system (also spelled Öhler ) is a system for clarinet keys developed by Oskar Oehler . Based on the Müller system clarinet, the system adds tone holes to correct intonation and acoustic deficiencies, notably of the alternately-fingered notes ...
The Albert system refers to a system of clarinet keywork and fingering developed by Eugène Albert. In the United Kingdom, it is known as the simple system. It has been largely replaced by the Boehm system and Oehler system. Big Band musician Jimmy Dorsey used a clarinet outfitted with the Albert system.
In 2006 he moved to Amsterdam, Netherlands, to study bass clarinet at the Conservatorium van Amsterdam with Erik van Deuren, where he obtained a second degree. He received an MMus from the Artez Conservatorium in Arnhem , Netherlands, studying free improvisation in the New Dutch Swing program with saxophonist and bass clarinetist Frank ...
The clarinet family is a woodwind instrument family of various sizes and types of clarinets, including the common soprano clarinet in B♭ and A, bass clarinet, and sopranino E♭ clarinet. Clarinets that aren't the standard B♭ or A clarinets are sometimes known as harmony clarinets.
Two-key clarinet with fingering chart, from Museum musicum theoreticalo practicum, 1732 Denner clarinet Sketch of the basset clarinet used by Anton Stadler since 1789 and a replica. The clarinet has its roots in early single-reed instruments used in Ancient Greece and Ancient Egypt. [64]
Fingering chart from Museum musicum theoreticalo practicum, 1732. Composers initially favored the chalumeau, but the clarinet soon overtook it in repertoire and ubiquity. Estienne Roger in Amsterdam published a set of duets for two chalumeaux in 1706 (prior to the first duets for clarinet).
The contra-alto clarinet [2] is largely a development of the 2nd half of the 20th century, although there were some precursors in the 19th century: . In 1829, Johann Heinrich Gottlieb Streitwolf [], an instrument maker in Göttingen, introduced an instrument tuned in F in the shape and fingering of a basset horn, which could be called a contrabasset horn because it played an octave lower than it.
The invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser, [2] and to both working together. [3] Müller was performing on an alto clarinet in F by 1809, one with sixteen keys at a time when soprano clarinets generally had no more than 10–12 keys; Müller's revolutionary thirteen-key soprano clarinet was developed soon after. [3]
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