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The binder is a combination of silica sol and water glass. The organic fraction is limited to 5 mass percent similar to dispersion silicate paint allowing for chemical setting and retaining of the silicate specific advantages. The sol silicate paint allows use on non-mineral plaster. [4] For these the bonding occurs chemically and physically.
Powder coating on glass requires specialized equipment. The biggest challenge is getting the powder to adhere to the glass surface since there is no natural electrostatic attraction like there is with different metals. A clean glass subsurface that will not interfere with the process is essential before beginning the powder coating procedure. [3]
Acrylic glass paint is water-based and semi-permanent, making it a suitable paint for temporary displays on glass windows. [34] Acrylic enamel paint creates a smooth, hard shell. It can be oven-baked or air dried. It can be permanent if kept away from harsh conditions such as dishwashing. [34]
The paint is usually not fused to the flat glass by firing, but if it is, it is still called "stained glass". Glass painting or glass painter might refer to either technique, but more usually enamelled glass. It may also refer to the cinematic technique of matte painting, which is a type of painted representation of landscape. There is benefits ...
Enamel is glass, not paint, so it does not fade under ultraviolet light. [28] A disadvantage of enamel is a tendency to crack or shatter when the substrate is stressed or bent, but modern enamels are relatively chip- and impact-resistant because of good thickness control and coefficients of thermal expansion well-matched to the metal.
Tempera painting was the primary panel painting medium for nearly every painter in the European Medieval and Early renaissance period up to 1500. For example, most surviving panel paintings attributed to Michelangelo are executed in egg tempera, an exception being his Doni Tondo which uses both tempera and oil paint.
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