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The painting is covered by a delicate surface of black paint, under which lies a dense layer of multicolored pigments. The colorful figures were then scratched and scrawled out by Klee on the dark background. A square of muslin was glued to the painting in the center, giving the painting the sense of a collage. The painting's dark palette and ...
Paul Klee by August Macke. This is an incomplete list of works by Paul Klee (18 December 1879 – 29 June 1940), a Swiss-born German artist and draftsman. His highly individual style was influenced by movements in art that included Expressionism, Cubism, and Surrealism.
Klee met, through Kubin, the art critic Wilhelm Hausenstein in 1911. Klee was a foundation member and manager of the Munich artists' union Sema that summer. [23] In autumn he made an acquaintance with August Macke and Wassily Kandinsky, and in winter he joined the editorial team of the almanac Der Blaue Reiter, founded by Franz Marc and ...
In 1935 Klee started to suffer from scleroderma, which manifested itself with fatigue, skin rashes, difficulty in swallowing, shortness of breath and pain in the joints of his hands. [3] His painting during this period tended to be simpler and representative of the suffering he was going through. [2] "Tod", the German word for death, is a ...
Angelus Novus (New Angel) is a 1920 monoprint by the Swiss-German artist Paul Klee, using the oil transfer method he invented. It is now in the collection of the Israel Museum in Jerusalem . History
The 1988 book published by MoMa, entitled Paul Klee: The Berggruen Klee Collection in The Metropolitan Museum of Art, described Klee as one of the most popular artists in the 20th century and one of "the most written about". [11] [Notes 1] Klee produced over 9,000 works. Klee was the son of a musicologist and he drew parallels between sound and ...
Produced shortly after Klee was branded a degenerate artist by the ruling Nazi Party in 1933, with the subsequent loss of his position in Germany and an enforced move to Switzerland, the picture appears to represent his disillusionment. The knotted brow, the tear-shaped eyes and the black heart communicate anxiety, distress and bitterness. [1]
It was created while Klee was teaching at the Dusseldorf Academy following his trip to Egypt three years prior. The painting process consisted of first applying large squares of muted color on unprimed canvas. Klee then stamped on smaller squares, first in white and then in other diluted colors.
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