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  2. Red and Blue Chair - Wikipedia

    en.wikipedia.org/wiki/Red_and_Blue_Chair

    The Red and Blue Chair is a chair designed in 1917 by Gerrit Rietveld. It represents one of the first explorations by the De Stijl art movement in three dimensions. It features several Rietveld joints. The original chair was constructed of unstained beech wood and was not painted red, blue, yellow, and black until around 1923.

  3. Rietveld joint - Wikipedia

    en.wikipedia.org/wiki/Rietveld_joint

    Schematic depiction of a Rietveld joint. The three battens are shown in the primary colours red, blue and yellow, where the yellow batten is oriented orthogonal to the screen. The locations of the dowels are shown in gray; the dowel connecting the yellow batten to the blue batten is the third and final one.

  4. Gerrit Rietveld - Wikipedia

    en.wikipedia.org/wiki/Gerrit_Rietveld

    Red and Blue Chair in the Museum für Angewandte Kunst in Cologne Rietveld designed his Red and Blue Chair in 1917 which has become an iconic piece of modern furniture. Hoping that much of his furniture would eventually be mass-produced rather than handcrafted, Rietveld aimed for simplicity in construction. [ 4 ]

  5. The 50 Most Iconic Chair Designs - AOL

    www.aol.com/50-most-iconic-chair-designs...

    Ming Chair. Given that the Ming dynasty ruled China from 1368 to 1644, a wide range of furniture styles emerged from that period. Toward the later years, the nation saw the production of intricate ...

  6. List of chairs - Wikipedia

    en.wikipedia.org/wiki/List_of_chairs

    Rietveld Red and Blue chair Ribbon Chair by Pierre Paulin. Recliner, [46] a chair with a reclining back; most are armchairs and may come with a footrest that unfolds when the back is reclined; Red and Blue Chair a chair designed by Dutch architect and furniture designer Gerrit Rietveld. Resilient Chair, designed by Eva Zeisel for Hudson ...

  7. De Stijl - Wikipedia

    en.wikipedia.org/wiki/De_Stijl

    Red and Blue Chair, designed by Gerrit Rietveld, version without colors 1919, version with colors 1923. In many of the group's three-dimensional works, vertical and horizontal lines are positioned in layers or planes that do not intersect, thereby allowing each element to exist independently and unobstructed by other elements.

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